And As A Director, You Make 1,000

Too Many People Believe In That [alfred] Hitchcock Thing That He Only Shot Exactly The Shots He Needed For The Dialogue He Needed And I Think That's Bullshit, Even If That Was True For That Singular Filmmaker.

I'm Really Specific In The Way That I Shoot. I've Always Had A Very Good Sense Of What I Need In The Editing Room. I Used To Shoot In A Way That Drew More Attention To The Camera And I've Tried, In Each Film, To Draw Less And Less Attention To The Camera. I Think When You Pay Attention To The Shots, You're Aware Of The Fact That There's A Director.

I Grew Up On Movie Sets, I'm Comfortable On Sets. A Movie Set Is Like A Circus. I Don't Understand Why Moviemaking Has To Be Such An Insane Environment.

Everyone Wants To Be Loved; Everyone Wants To Know Where They're Going In Life; Everyone Wants To Have A Sense Of Direction And Feel The Next Day Is Going To Be Better Than Today. We Just All Deal With It In A Different Way.

When You're Young, You Want To Make Every Kind Of Film: Musicals, Westerns, Horror. Slowly You Begin To Hear Your Own Voice. I Hope People Receive What I Do As Small, Personal Films That Are Somewhat Contrarian About Their Main Characters.