Unlike With Any Other Art Form, Filmmakers

From The Onset Of The 'live-read' Series, We Wanted To Hit All The Major Writers And Woody Allen Is Simply One Of The Greatest Screenwriters Of All Time. He Has Ability To Match Pathos And Comedy And Drama And Then Turn It All On A Dime. If You're Going To Make A Series Based On Dialogue, You Can't Find Much Better Than Woody Allen.

Directing Is A Reactionary Job More Than A Creation Job. The Job Is To React Whether It's Moment One, The First Time You Read The Script Or See An Article Or Read A Book Or Notice Something Happen On The Street And Have An Idea For A Movie, And It Just Continues From There On In. You're Just Reacting To Dialogue, A Performance, An Audition, A Headache, A Piece Of Furniture, A Piece Of Clothing.

Really, It's The Director's Job To Disappear And Allow The Movie To Just Feel.

My Writing Voice Is Very Much Like 'thank You For Smoking.' It's A Guy's Voice. It's Very Masculine.

When I Think Of 'nightmare On Elm Street,' There Was A Warmth To Those Teenagers That I Related To. They Were Not Aware That They Were In The Middle Of A Horror Film, And I Really Loved Those Characters And I Empathized With Them.