You Use A Different Part Of Your

On Any Longer View, Man Is Only Fitfully Committed To The Rational -- To Thinking, Seeing, Learning, Knowing. Believing Is What He's Really Proud Of.

There Isn't What My Father Called The Cruising Hostility Of The English Press - Where They're Looking Around For Something To Attack. You Don't Feel That There's A Great Reservoir Of Resentment In The Press As You Do In England.

Amis Is Acutely, Vibrantly Sensitive To The Different Registers Of Laughter. He Knows That It Can Be The Most Affirming And Uniquely Human Sound, And Also The Most Sinister And Animalistic One. He Understands Every Note Of Every Octave That Separates The Liberating Shout Of Mirth From The Cackle Of A Bully Or The Snigger Of A Sadist.

Seeing The World Anew, As If It Were New, Is As Old As Writing. It's What All Painters Are Trying To Do, To See What's There, To See It In A Way That Renews It. It Becomes More And More Urgent As The Planet Gets Worn Flat And Forest After Forest Is Slain To Print The Paper For People's Impressions To Be Scrawled Down On. It Becomes Harder And Harder To Be Original, To See Things With An Innocent Eye. Innocence Is Much Tied Up With It. As The Planet Gets Progressively Less Innocent, You Need A More Innocent Eye To See It.

Every Writer Hopes Or Boldly Assumes That His Life Is In Some Sense Exemplary, That The Particular Will Turn Out To Be Universal.