You Musn't Be Afraid To Dream A

To Me, Any Kind Of Filmmaking That's Reactive Is Not Going To Be As Good As Something More Inventive And Original.

I Want To Be Surprised And Entertained By A Movie, So That's What We're Trying To Do For The Audience. Obviously, We Also Have To Sell The Film.

I Like Films That Don't Have That Unonimity Of A Response; That Don't Have Consensus In The Audience. What It Is Essentially For Me Is That If You Go Back And Watch The Film A Second Time, Do You Feel That You've Been Played Fair With? Are All The Clues In Place? Indeed, Sometimes These Things Are Even Overstated. Specifically, For That Reason.

I Think For Me When You Look At The Idea Of Being Able To Create A Limitless World And Use It Almost As A Playground For Action And Adventure And So Forth, I Naturally Gravitate Towards Cinematic Worlds, Whether It's The Bond Films And Things Like That.

The Most Stressful And Difficult Part Of Steering A Large Movie Is That You Are Taking On The Responsibility Of Communicating With A Very Wide Audience. You Can't Ever Hide Behind The Notion Of, 'okay, They Just Don't Get It,' Or, 'certain People Just Don't Get It.' You Have To Be Mindful Of The Size Of Your Audience, And You Have To Communicate In A Way That Lets Them In.