You Learn A Lot, Writing Fiction.

I Can Walk About London And See A Society That Seems An Absolutely Revolutionary Change From The 1950s, That Seems Completely And Utterly Different, And Then I Can Pick Up On Something Where You Suddenly See That It's Not.

The Pleasure Of Writing Fiction Is That You Are Always Spotting Some New Approach, An Alternative Way Of Telling A Story And Manipulating Characters; The Novel Is Such A Wonderfully Flexible Form.

The Day Is Refracted, And The Next And The One After That, All Of Them Broken Up Into A Hundred Juggled Segments, Each Brilliant And Self-contained So That The Hours Are No Longer Linear But Assorted Like Bright Sweets In A Jar.

The Place Didn't Look The Same But It Felt The Same; Sensations Clutched And Transformed Me. I Stood Outside Some Concrete And Plate-glass Tower-block, Picked A Handful Of Eucalyptus Leaves From A Branch, Crushed Them In My Hand, Smelt, And Tears Came To My Eyes. Sixty-seven-year-old Claudia, On A Pavement Awash With Packaged American Matrons, Crying Not In Grief But In Wonder That Nothing Is Ever Lost, That Everything Can Be Retrieved, That A Lifetime Is Not Linear But Instant. That, Inside The Head, Everything Happens At Once.

We All Act As Hinges-fortuitous Links Between Other People.