You Don't Make Pictures For Oscars.

If You’re Looking For The Origins Of Film Culture In America, Look No Further Than Amos Vogel.

If I'm Not Complaining, I'm Not Having A Good Time, Hah Hah!

When Everything Is Added Up, The Frequent Blows Weighted Against The Sporadic Triumphs, This Is I Have To Say Not Just A Vocation, It's A Great Gift. But You Also Know This, For Your Work, For Your Passion, Every Day Is A Rededication. Painters, Dancers, Actors, Writers, Filmmakers. It's The Same For All Of You, All Of Us. Every Step Is A First Step. Every Brush Stroke Is A Test. Every Scene Is A Lesson. Every Shot Is A School. So, Let The Learning Continue.

I Think When You're Young And Have That First Burst Of Energy And Make Five Or Six Pictures In A Row That Tell The Stories Of All The Things In Life You Want To Say... Well, Maybe Those Are The Films That Should Have Won Me The Oscar.

The Creation Of The Island, Or The Impression Of The Island, As It Changes In The Mind Of The Character Also Came In To Play... There Was Another Very Important Collaborator, Rob Legato, On Special Visual Effects. And Then Ultimately There's Thelma Schoonmaker, Who Keeps Me Focused During The Editing Of The Picture.