You Don't Have To Run Away From

I Don't Turn My Nose Up At Anything. If It's A Great Part, It's A Great Part. I'd Love To Do A Box-office Hit.

You're Not Directing An Actor Toward A Thing They Can't Achieve. Because Direction Is Elusive. When Directors Hold Respect For The Various Craftsmen And -women Who Are Telling The Story, It's The Greatest Result. I Think People Do Their Bravest Work When Given An Elusive Canvas.

Whatever Character You Play, It Gives You The Chance To Expose Another Side Of Yourself That Maybe You've Never Felt Comfortable With, Or Never Knew About

Even If You've Gone Through An Average Childhood, You Have Girlfriends Who Get Pregnant And Then Have To Choose Whether Or Not To Have A Child. And This Stuff Certainly Makes You Think About What You're Taking On. I Certainly Want To Have Children, But I Could Never Do It Until I Felt I Loved Myself Enough, And Wanted To Bring Someone Into The World Because I Had Some Kind Of Security.

In Smooth Talk It Was A Much More Intuitive Search - I Was Only 17 At The Time, And I Wasn't Aware, As Women Are When They Get A Little Older, That There's Always A Side Of A Woman That Likes A Man From The Other Side Of The Tracks. We All Have An Attraction To What's Different From Us.