Yeah, I Try To Be Really Calm.

My Family Moved A Lot As A Kid. We Started In Colorado, Where I Lived For Five Years. We Moved To Chicago For Two Years, To San Francisco For One Year, Connecticut For Seven, Oregon For A Couple Years, And Then I Went To School.

A Lot Of Times, I Relied On Connections Through My Agency, Just For Financing And Things Like That. Even When I'm Looking For A Million And A Half Dollars To Do A Small Film, There Can Always Be Hold-ups, Because It's A Large Amount Of Money For Some People, And It's A Small Amount Of Money For Other People. In Any Case, It's Significant Enough To Where You Have To Jump Through A Lot Of Hoops To Get It To Happen. Sometimes, The People Who Are Helping You Can Drop The Ball. And, Of Course, The Reason Agents Want You To Do Bigger Projects Is That They Make A Bigger Cut.

The Things That Inform Student Culture Are Created And Controlled By The Unseen Culture, The Sociological Aspects Of Our Climbing Culture, Our 'me' Generation, Our Yuppie Culture, Our Suvs, Or, You Know, Shopping Culture, Our War Culture.

I Try To Get To Know The Actors As Much As I Can. I Feel Like I'm Friends With Them For Starters And For A Week Or Two, We Rehearse When They're Getting The Costumes Together.

I'm Going In A Really Weird I-don't-know-where Direction, But I Prefer Anything [different] From How Standardized Filmmaking Has Become.