Writing Has Got To Be An Act

When A Play Enters My Consciousness, Is Already A Fairly Well-developed Fetus. I Don't Put Down A Word Until The Play Seems Ready To Be Written.

If You Examine The History Of Any Playwright Of The Past Twenty - Five Or Thirty Years - I'm Not Talking About The Comedy Boys, I'm Talking About The More Serious Writers - It Seems Inevitable That Almost Every One Has Been Encouraged Until The Critics Feel That They Have Built Them Up Beyond The Point Where They Can Control Them; Then It's Time To Knock Them Down Again.

If You Want A Commercial Success - It's The Confusion Of Commerce With Art. A Successful Play Is Not Considered To Be The Best Written. It Is The One That Sells The Most Tickets. Those Standards Are Destructive [to Theatre].

First, I'll Kill The Dog With Kindness, And If That Doesn't Work, I'll Just Kill Him.

What I Wanted To Get At Is The Value Difference Between Pornographic Playing-cards When You're A Kid, And Pornographic Playing-cards When You're Older. It's That When You're A Kid You Use The Cards As A Substitute For A Real Experience, And When You're Older You Use Real Experience As A Substitute For The Fantasy.