With 3d You're Right There Immersed In

On A Chinese Film You Just Give Orders, No One Questions You. Here, You Have To Convince People, You Have To Tell Them Why You Want To Do It A Certain Way, And They Argue With You. Democracy.

Fighting For Identity Is Something That Is Very Much In My Life.

When I Started Out, Nobody Gave Me Scripts, So I Had To Write...

Even Dramatically How You Position Some Person, The Depth, The Existence [in 3d] Is Different Than A Flat Image Even Though By Itself It Has Depth, We Create The Illusion Of Depth. For Example, Some Of The Shots I Have To Stay Closer To The Actor Because It's A Young Actor, I Like It Closer For Some Of The Shots. I Watch 2d Scenes Next To The Camera, Then When I Go Back To My Station And Watch It In 3d I Have To Go Back And Reduce His Acting, He Has To Shrink A Little Bit Because He Peeks Out More.

Basically The Movies I Make Are My Life, So I Choose How I Want To Live My Life For The Next Two Years. So That's A Decision I Have To Make. At Some Point If I Feel There Are Enough Elements - It Doesn't Even Have To Have Great Characters Or Great Stories - It's Just Elements That Can Get My Excitement And Curiosity For One Or Two Years, Then I'll Jump In And I'll Find Out What That Is. Then I Have To Do [interviews Like This] And Rationalize Why I Do This.