With All Fashion, What We Do Is

I Make A Lot Of Pieces Of Music That I Never Release As Cds.

I Thought It Was Magic To Be Able To Catch Something Identically On Tape And Then Be Able To Play Around With It, Run It Backwards; I Thought That Was Great For Years.

Emotion Creates Reality, Reality Demands Action.

Of Course, Like Anybody I Repeat Myself Endlessly, But I Don't Know That I'm Doing It, Usually.

We Have Two Different Ways Of Working. One Is Completely Unstructured Where Somebody Just Starts Playing And Somebody Joins In And Then The Other Person Joins In, And Something Starts To Happen. That's Occasionally What Happens. What More Often Happens Is That We Settle On Some Sort Of - A Few Sort Of Structural Ideas, Like, "okay, When I Put My Finger Up, We're All Going To Move To The Extremes Of Our Instruments. So, That Means You Can Only Play Either Very High Or Very Low Or Both. And We're Going To Stay There Until I Take My Finger Down.