[while Voicing Cartoons] You Have To Lose

New York City Is Crazy And Beautiful And Really Close To My Heart, And I've Always Had Dear Friends Here - Family, Actually, I Would Say.

There's A Huge Amount Of Footage Of Julian [ Assange] Online, But He's Usually In Presentation Or Defending Mode, Talking About His Cause, Or The Revelations Which Wikileaks Have Brought About. There's None Of Assange Relaxing Or In Private Mode. There's None Of The Personality I Tried To Give Him Behind Closed Doors [in The Fifth Estate ].

I Want To Be Better At Staying Connected.

I'm Very Proud Of The Work I Do, But I Genuinely Can't Involve Myself With An Audience As Early As Somebody Who's Not Part Of The Film Can. So There's That Side Of Theater That Appeals To Me, Where You Give Something And The Response To What You've Created Is A Communion Between You And The Dark That Contains However Many People. It's Thrilling Not Having A Reflection Other Than Through The People You're Communicating With. But People Ask, "what Do You Prefer?" And I Don't Have A Preference. I Love Them Both. I Really Do.

There's Another Weight Of Us Being In The Public Eye, Which Is This Presumption That, Because Your Work And Your Promotion Work Is Very Public, Your Private Life Should Be, Too.