Where Choice Begins, Paradise Ends, Innocence Ends,

The Play Is Really A Kind Of Nightmare. It Ought To Flow Rapidly And Effortlessly From One Moment To Another. In London, We Had Difficulty With The Set, Which Required Too Much Effort To Move Around. Having Gotten The Benefit Of Seeing It Done Once, I Wanted To Work On The Script, To Make It Sharper And More Pointed.

... Vulgarity Has No Nation.

The Need Of Man To Wholly Realize Himself Is The Only Fixed Star.

Chris: I Don't Know Why It Is, But Every Time I Reach Out For Something I Want, I Have To Pull Back Because Other People Will Suffer.

My Plays Are Always Involved With Society, But I'm Writing About People, Too, And It's Clear Over The Years That Audiences Understand Them And Care About Them. The Political Landscape Changes, The Issues Change, But The People Are Still There. People Don't Really Change That Much.