When One Lives With Problems Of Importance,

If I See Everything In Gray, And In Gray All The Colors Which I Experience And Which I Would Like To Reproduce, Then Why Should I Use Any Other Color?

Once The Object Has Been Constructed, I Have A Tendency To Rediscover In It, Transformed And Displaced, Images, Impressions, Facts Which Have Deeply Moved Me (often Without My Knowing It).

The Human Face Is As Strange To Me As A Countenance, Which, The More One Looks At It, The More It Closes Itself Off And Escapes By The Steps Of Unknown Stairways.

The One Thing That Fills Me With Enthusiasm Is To Try, Despite Everything, To Get Nearer To Those Visions That Seem So Hard To Express.

In Every Work Of Art The Subject Is Primordial, Whether The Artist Knows It Or Not. The Measure Of The Formal Qualities Is Only A Sign Of The Measure Of The Artist's Obsession With His Subject; The Form Is Always In Proportion To The Obsession.