When I Went Back To England After

The Idea That Something Is Uncool Because It’s Old Or Foreign Has Left The Collective Consciousness.

I Take Sounds And Change Them Into Words.

Another Way Of Working Is Setting Deliberate Constraints That Aren't Musical Ones - Like Saying, "well, This Piece Is Going To Be Three Minutes And Nineteen Seconds Long And It's Going To Have Changes Here, Here And Here, And There's Going To Be A Convolution Of Events Here, And There's Going To Be A Very Fast Rhythm Here With A Very Slow Moving Part Over The Top Of It." Those Are The Sort Of Visual Ideas That I Can Draw Out On Graph Paper. I've Done A Lot Of Film Music This Way.

Think Inside The Work - Outside The Work

The Point About Working Is Not To Produce Great Stuff All The Time, But To Remain Ready For When You Can.