When I Went Back To England After

It Must Be Quite Mysterious To Some People Why I Bother To Carry On. Because, You Know, I Don't Sell That Many Records.

In Fact, Quite A Lot Of What I Do Has To Do With Sound Texture, And, You Can't Notate That. You Can't Notate The Sound Of "st. Elmo's Fire." There's No Way Of Writing That Down. That's Because Musical Notation Arose At A Time When Sound Textures Were Limited. If You Said Violins And Woodwind That Defined The Sound Texture; If I Say Synthesizer And Guitar It Means Nothing - You're Talking About 28,000 Variables.

You Just Make Different Music On A Computer. And You Can Make Wonderful Music On A Computer, But Don't Pretend That The Machinery Is Transparent. It Makes As Much Difference To What You're Doing As It Does If You Play An Acoustic Guitar As Opposed To A Kettledrum. You're Not Going To Make The Same Music.

I Often Work By Avoidance.

Set Up A Situation That Presents You With Something Slightly Beyond Your Reach.