When I Was In My Twenties, I

I Feel Like Once The Song Is Done, You Put It Out There And If People Want To Do Bizarre Remixes, If People Want To Make Strange Videos, Great. You Know, Like Chaos Theory Applied To The Music Business.

New York Is Such A Competitive Place; It Tears People Apart. People Come Here And, If They Can't Make It In The First Month, They Get Torn Apart And They Have To Go Back To Where They Came From. I Don't Think That's Terribly Healthy.

I Wanted To Have A Title That Wasn't In English So That Someone In France, For Instance, Could Ask For 'dix-huit' Or The Someone In Japan Could Ask For 'juhachi.'

The Worst Case Scenario Is You Really Like Someone's Work, Then You Meet Them And They're A Self-involved, Entitled Douchebag.

It's Sometimes Too Easy To Point Fingers When Circumstances Dramatically Go Awry, But As An Addict, I'm Ultimately Responsible For My Own Decisions, No Matter How Benign Or Tragic The Consequences.