When I Make A Representation Of Something,

Experience Has Proved That There Is No Difference Between A So-called Realist Painting - Of A Landscape, For Example - And An Abstract Painting. They Both Have More Or Less The Same Effect On The Observer.

Without Form, Communication Stops... Without Form, You Have Everybody Burbling On To Themselves, Whenever And However, Things That No One Else Can Understand And - Rightly - No One Else Is Interested In.

Nature/structure. There Is No More To Say. In My Pictures I Reduce To That. But 'reduce' Is The Wrong Word, Because These Are Not Simplifications. I Can't Verbalize What I Am Working On: To Me, It Is Many-layered By Definition; It Is What Is More Important, What Is More True.

The Photograph Is The Most Perfect Picture. It Does Not Change; It Is Absolute, And Therefore Autonomous, Unconditional, Devoid Of Style. Both In Its Way Of Informing, And In What It Informs Of, It Is My Source.

Well, The Beginning Is Actually Quite Easy, Because I Can Still Be Quite Free About The Way I Handle Things - Colours, Shapes. And So A Picture Emerges That May Look Quite Good For A While, So Airy And Colourful And New. But That Will Only Last For A Day At Most, At Which Point It Starts To Look Cheap And Fake. And Then The Real Work Begins - Changing, Eradicating, Starting Again, And So On, Until It's Done.