When I Do Work, I Get So

The Work Is What It Is And Hopefully It's Seen As Feminist Work, Or Feminist-advised Work, But I'm Not Going To Go Around Espousing Theoretical Bullshit About Feminist Stuff.

The Way I See It, As Soon As I Make A Piece I’ve Lost Control Of It.

In Horror Stories Or In Fairy Tales, The Fascination With The Morbid Is Also, At Least For Me, A Way To Prepare For The Unthinkable… That’s Why It’s Very Important For Me To Show The Artificiality Of It All, Because The Real Horrors Of The World Are Unmatchable, And They’re Too Profound. It’s Much Easier To Absorb – To Be Entertained By It, But Also To Let It Affect You Psychologically – If It’s Done In A Fake, Humorous, Artificial Way.

I Wanted To Create Something That People Could Relate To Without Having Read A Book About It Beforehand.

Everyone Thinks These Are Self-portraits But They Aren't Meant To Be. I Just Use Myself As A Model Because I Know I Can Push Myself To Extremes, Make Each Shot As Ugly Or Goofy Or Silly As Possible.