Whatever Happens Tomorrow, We Had Today; And

Occasionally, Very Occasionally, Say At Four O’clock In The Afternoon On A Wet Sunday, She Feels Panic-stricken And Almost Breathless With Loneliness. Once Or Twice She Has Been Known To Pick Up The Phone To Check That It Isn’t Broken. Sometimes She Thinks How Nice It Would Be To Be Woken By A Call In The Night: ‘get In A Taxi Now’ Or ‘i Need To See You, We Need To Talk’. But At The Best Of Times She Feels Like A Character In A Muriel Spark Novel – Independent, Bookish, Sharp-minded, Secretly Romantic.

Screenwriting Is Always About What People Say Or Do, Whereas Good Writing Is About A Thought Process Or An Abstract Image Or An Internal Monologue, None Of Which Works On Screen.

...and Once Again Dexter Is Struck By How Easy Conversation Can Be When No-one Is In Their Right Mind

He Has Found Himself More And More Reliant On Her At Exactly The Point That She Has Become Less Available To Him.

It Would Be Inappropiate, Undignified, At 38, To Conduct Friendships Or Love Affairs With The Ardour Or Intensity Of A 22 Year Old. Falling In Love Like That? Writing Poetry? Crying At Pop Songs? Dragging People Into Photobooths? Taking A Whole Day To Make A Compilation Tape? Asking People If They Wanted To Share Your Bed, Just For Company? If You Quoted Bob Dylan Or Ts Eliot Or, God Forbid, Brecht At Someone These Days They Would Smile Politely And Step Quietly Backwards, And Who Would Blame Them? Ridiculous, At 38, To Expect A Song Or Book Or Film To Change Your Life.