What People Really Want In The Theater

I Was Twenty-nine Years Old And I Wasn't A Very Good Poet And I Wasn't A Very Good Novelist, [so] I Thought I Would Try Writing A Play, Which Seems To Have Worked Out A Little Better.

Well, When You Write About People Of A Certain Age ... We Are In A Postsexual Situation. If I Write About Younger People Then I Write Sexually, Because Their Drive Is Sexual. It Depends Upon The Circumstances.

I Stopped Acting When I Was About Nineteen, Twenty, When I Got Thrown Out Of College. I Did Act For About Ten Years. I Don't Know. I Suspect I'm Still A Reasonably Good Actor, But I Don't Really Know That I Want To Get On The Stage Again ... And Having To Say All Those Boring Words By Me Over And Over Again ... I Don't Know If I Want To Do That. Also, I Like A Certain Amount Of Freedom Of Movement, And If You're Acting, You're Stuck In One Place For A Long Time. Having Said That, I Will Probably Be Onstage Next Fall.

If A Man Writes A Brilliant Enough Play In Praise Of Something That Is Universally Loathed, The Play, If It Is Good And Well Enough Written, Should Not Be Knocked Down Because Of Its Approach To Its Subject.

I Think It Is The Responsibility Of Critics To Rely Less Strenuously On, To Use A Hollywood Phrase, "what They Can Live With," And More On An Examination Of The Works Of Art From An Aesthetic And Clinical Point Of View.