What Do You Hang On The Walls

I Look For A Sense Of Reality With Everything I Did. I Didn't Work In A Studio, I Didn't Light Anything. I Found A Way Of Working Which Pleased Me Because I Didn't Have To Frighten People With Heavy Equipment. It Was That Little Black Box And Me And £5 Worth Of Film In My Pocket Or Maybe It Was Only £2 In Those Days.

It's The Hardest Thing In The World To Take The Mundane And Try To Show How Special It Is.

A Studio Session ... Provides The Greatest Chance For Control. Even Though There Is Total Freedom, I Still Dislike Studio Photography And The Contrived Images That Usually Stem From This Genre.

What Has Changed Is That When I Photographed, Most People That I Photographed Didn't Have The Right Of Refusal On Their Work. It Would Take A Marilyn Monroe At Her Height To Be Able To Dictate That.

If You Are Careful With People, They Will Offer You Part Of Themselves. That Is The Big Secret.