We're Trying To Tell Stories. We're A

There Are Things That Make Me Excited About What I'm Doing: Trouble The Water [the 2008 Documentary Glover Executive Produced] On New Orleans, Or Something Like Soundtrack For A Revolution, About The Power Of The Music Of The Civil Rights Movement [which He Executive Produced In 2009]. Or Bamako, About The African Debt Crisis, A Platform To Discuss The Experience Of People Who Actually Live It. All Of These Are Important Ways We Can Use Film As A Forum Inviting People Into A Dialogue.

[the Strike In 1968] Brought Us Together With Teachers And Also With Progressive Whites. All Of Us Came From Diverse Backgrounds, But At The Same Time The Reasons Why We Were At San Francisco State In The Late Sixties Was Because Of The Agitation And Movement Building That Had Occurred Within Our Communities. We Saw Ourselves Not Separate From The Community But Intimately Connected To It.

Lethal Weapon 2 Used The Platform To Talk About The Apartheid System. That Was A Very Important Moment For Us.

Some Of The Most Amazing Stories Are Happening On The Global Scene. My Extraordinary Producing Partner, Joslyn Barnes, She's Just Virtually Changed My Life With The Way She Constructed This Company And How We Go About Telling The Stories We Want To Tell.

Art Is About The Dynamics Of The Human Experience.