We're All Part Of Movie And We're

I Worked With An Amazing Dialect Coach Named Jill Mccullough. We Did Skype Sessions While I Was Shooting "no Escape" In Thailand, Actually. So Three Times A Week I Would Have Long, Two-hour Sessions With Her Just Working On The Nuance Of The Accent, Which I Had Had A Huge Background In Because I Went To Drama School In England For Four Years.

The Most Difficult Thing About Acting And Directing In A Film Is Acting And Directing In A Film. Every Ounce Of Your Physical And Emotional Being, And Your Analytical And Thoughtful And Producorial Being, Is Being Exercised At All Points. You Are 100% Working On Overdrive, But Because It Is Only For X Amount Of Days, If You Have The Stomach For It, You Hustle Through. It's A Massive Undertaking, And I Think Preparation Is The Key To Success For That Endeavor.

I Hope, My Career Is Never Predictable. And My Interests Are Diverse In That Way. I Feel Very Lucky That When I'm Burnt Out Of Acting I Take To The Pen And I Write Something I Want To Direct. And Then When I'm Tired Of Taking On Too Much Responsibility As A Director I Then Look For An Acting Gig. And I've Made It Very Clear That I'm Interested In Voiceover Work. I Mean, I'm Always Looking For Voiceover Gigs. I Love That.

What's The Trick To Writing A Genuinely Funny Comedy? The Trick Is Therapy. Take Notes.

I Love Fashion. I Always Have. When I Was A Kid, I Was In Almost Full-on Costumes When I Went To School, And I've Retained A Bit Of That In My Adulthood.