We Want To Be Seen For Who

One Of The Things On A Very Practical Level As An Actor Or Actress Is That When You Do A Play, You Do The Entire Story Every Time You Do It. You Have Eight Shows A Week. You Have A Rehearsal Process Of Four To Five To Six Weeks. And Then Once You're In Performance, Everybody Else Goes Away And You're There With Your Fellow Actors And The Audience And The Material And Your Life Becomes About That. And You Go Through The Story From The Beginning To The End Every Time You Do It And Depending On How Long You Do It, That's Where The Craft Comes In.

Why I Love Acting Is That It's Totally Subjective And I Like That. I Like That.

There's A Lot Of Different Ways Of Going About Teaching Acting And Ultimately You Have To Just Kind Of Create Your Own. You Have To Be The Author Of Your Own Acting School In A Way. I Mean You Can Take From This And This And You Can Watch People And You Can Watch Performances On The Stage. You Can Watch Movies. But Ultimately You Have To Figure It Out For Yourself.

Once I Get On Something, Once I Have Something That I'm Working On, Then I Become Very Obsessive. In A Good Way. I Mean,... Is There A Positive Way To Say Obsessive? It's A Good Thing And If You're Out There And You're Working On Something Right Now And You're Crazed And You're Up In The Middle Of The Night, Or You Can't Stop Thinking About It, Or You Have To Keep Reading Other Things About The Subject That You're Working On Or Whatever. That's Good And I Think That's Necessary Creatively.

I Think Where I've Instinctively Found Myself Is That I Am Somewhat Guarded In My Public Life. Being Interviewed Or Being Photographed Or Just In Public Attention, I Have A Certain Reserve. But When I'm Working I Feel Like I'm Very Open. At Least I Like To Believe That I Feel Like Nothing Is Held Back When I'm In Front Of A Camera. That's My Job.