We Only Appreciate What We Have When

Barrabas Came To Us By Sea, The Child Clara Wrote In Her Delicate Calligraphy.

Everyone Has A Story, The Air Is Full Of Stories. The Creative Process Is Mysterious, I Don't Know Why It Is That Suddenly A Theme Will Take Hold Of Me And Refuse To Leave Me In Peace Until I Investigate It And Write It.

A Book Is Not An End In Itself; It Is Only A Way To Touch Someone - A Bridge Extended Across A Space Of Loneliness And Obscurity - And Sometimes It Is A Way Of Winning Other People To Our Causes.

Sometimes Journalists Ask Me, "what's The Message?" There Is No Message. I Think That Fiction Should Not Be Trying To Give Messages. Just Tell A Story.

The Idea Of The Book ["the Japanese Lover"] Came In A Conversation That I Had With A Friend Walking In The Streets Of New York. We Were Talking About Our Mothers, And I Was Telling Her How Old My Mother Was, And She Was Telling Me About Her Mother. Her Mother Was Jewish, And She Said That She Was In A Retirement Home And That She Had Had A Friend For 40 Years That Was A Japanese Gardener. This Person Had Been Very Important In My Friend's Upbringing.