We Notice As The Bible Goes On,

Those Who Are Concerned With The Arts Are Often Asked Questions, Not Always Sympathetic Ones, About The Use Or Value Of What They Are Doing. It Is Probably Impossible To Answer Such Questions Directly, Or At Any Rate To Answer The People Who Ask Them.

It Seems To Me That Canadian Sensibility Has Been Profoundly Disturbed, Not So Much By Our Famous Problem Of Identity, Important As That Is, As By A Series Of Paradoxes In What Confronts That Identity. It Is Less Perplexed By The Question "who Am I?" Than By Some Such Riddle As "where Is Here?

Myths, As Compared With Folk Tales, Are Usually In A Special Category Of Seriousness: They Are Believed To Have "really Happened,"or To Have Some Exceptional Significance In Explaining Certain Features Of Life, Such As Ritual. Again, Whereas Folk Tales Simply Interchange Motifs And Develop Variants, Myths Show An Odd Tendency To Stick Together And Build Up Bigger Structures. We Have Creation Myths, Fall And Flood Myths, Metamorphose And Dying-god Myths.

Beauty And Truth May Be Attributes Of Good Writing, But If The Writer Deliberately Aims At Truth, He Is Likely To Find That What He Has Hit Is The Didactic.

War Appeals To Young Men Because It Is Fundamentally Auto-eroticism.