We Love Only What We Do Not

The Artist Who Gives Up An Hour Of Work For An Hour Of Conversation With A Friend Knows That He Is Sacrificing A Reality For Something That Does Not Exist.

In Reality, In Love There Is A Permanent Suffering Which Joy Neutralizes, Renders Virtual Delays, But Which Can At Any Moment Become What It Would Have Become Long Earlier If One Had Not Obtained What One Wanted -- Atrocious.

I Shall Not Find A Painting More Beautiful Because The Artist Has Painted A Hawthorn In The Foreground, Though I Know Of Nothing More Beautiful Than The Hawthorn, For I Wish To Remain Sincere And Because I Know That The Beauty Of A Painting Does Not Depend On The Things Represented In It. I Shall Not Collect Images Of Hawthorn. I Do Not Venerate Hawthorn, I Go To See And Smell It.

When I Was Small Child, All That Belonged To Conservative Society Was Fashionable, And No Republicans Were Welcome In The Smartersalons. People Living In Such A Milieu Could Imagine That The Impossibility Of Ever Inviting An "opportunist", Much Less A "radical", Was A Thing That Would Last Forever, Like Gas Lamps And Horse-drawn Omnibuses. But Similar To Kaleidoscopes Turning From Time To Time, Society Successively Places In Various Ways Elements Which Were Thought To Be Immutable And Creates A New Composition.

For Although We Know That The Years Pass, That Youth Gives Way To Old Age, That Fortunes And Thrones Crumble (even The Most Solid Among Them) And That Fame Is Transitory, The Manner In Which—by Means Of A Sort Of Snapshot—we Take Cognisance Of This Moving Universe Whirled Along By Time, Has The Contrary Effect Of Immobilising It.