We Live Ruins Amid Ruins.

The Most Attractive Class Of People Are Those Who Are Powerful Obliquely, And Not By The Direct Stroke: Men Of Genius, But Not Yetaccredited: One Gets The Cheer Of Their Light, Without Paying Too Great A Tax.

There Comes A Time In Each Man's Education In Which He Comes To The Conclusion That Envy Is Ignorance, Imitation Is Suicide, And Society In In Conspiracy Against Each One Of Its Members.

We Are As Much Informed Of A Writer's Genius By What He Selects As By What He Originates. We Read The Quotation With His Eyes, Andfind A New And Fervent Sense; As A Passage From One Of The Poets, Well Recited, Borrows New Interest From The Rendering. As The Journals Say, "the Italics Are Ours.

As Men Get On In Life, They Acquire A Love For Sincerity, And Somewhat Less Solicitude To Be Lulled Or Amused. In The Progress Ofthe Character, There Is An Increasing Faith In The Moral Sentiment, And A Decreasing Faith In Propositions.

Shakespeare Possesses The Power Of Subordinating Nature For The Purposes Of Expression, Beyond All Poets. His Imperial Muse Tosses The Creation Like A Bauble From Hand To Hand, And Uses It To Embody Any Caprice Of Thought That Is Uppermost In His Mind. The Remotest Spaces Of Nature Are Visited, And The Farthest Sundered Things Are Brought Together, By Subtle Spiritual Connection. We Are Made Aware That Magnitude Of Material Things Is Relative, And All Objects Shrink And Expand To Serve The Passion Of The Poet.