We Live In A World Where The

Many Years Ago, In The Late '70s, I Toured Colleges Along The East Coast And I Presented A Kind Of Show Where I Got A Lot Of Books And Poetry And Pieces Of [william] Shakespeare And Other Writers That I Admire, Read It To The Class And Then Afterward We Would Talk And I Would Answer Questions. It Was Really A Way Of Expressing And Finding Out About Where I Was At That Particular Time, So It Was Very Therapeutic For Me.

That's Where Humour Lives For Me. In The Body. The Steve Martin Kind Of Stuff Or Jim Carrey, That's What I Like. I've Always Felt That's What I Would Like To Do.

We're Charlatans In A Way, We're Magic People. Part Of The Behind The Scenes Stuff Is To Loosen You Up, To Make You Feel That You Are Experiencing This. This Is My Style, I Did It In Looking For Richard, Too. And I Figure, If I Can Weave It Into The Actual Play And Get The Audience Interested, Like The Robes Going Up And Down, They'll Pay Attention Long Enough To Consume It.

The Actor Becomes An Emotional Athlete. The Process Is Painful - My Personal Life Suffers.

There Was Once A Great Actor Named George C. Scott. He Was On Stage In The Delacourt Theater In Central Park, Where They Do Shakespeare Every Summer, And He Was Playing Shylock In The Merchant Of Venice. At One Point He Took The Robes He Was Wearing And Just Started Flipping Them Up In The Air, Out Of Nowhere. And Later, An Actor Said To Him, "what Was That, George, What Were You Doing?" And He Said, "they Were Sleeping." You're Always Trying To Catch Them.