We Become The Stories We Tell Ourselves

It's The City's Crush And Heave That Move You; Its Intricacy; Its Endless Life. You Know The Story About Manhattan As A Wilderness Purchased For Strings Of Beads, But You Find It Impossible Not To Believe That It Has Always Been A City; That If You Dug Beneath It You Would Find The Ruins Of Another, Older City, And Then Another And Another.

At The Risk, Then, Of Being Shunned By Some Of My Gloomier Peers, I Venture To Tell You That Writers Work Like Demons, Suffer Greatly, And Are Also Happy, In Unmistakable Ways, Some Of The Time. If We Had No Knowledge Of Happiness, Our Novels Wouldn't Sufficiently Resemble Real Life. Some Of Us Are Even Made A Little Bit Happy, On Occasion, By The Writing Process Itself. I Mean, Really, If There Wasn't Some Sort Of Enjoyment To Be Derived, Would Any Of Us Keep Doing It?

We Throw Our Parties; We Abandon Our Families To Live Alone In Canada; We Struggle To Write Books That Do Not Change The World, Despite Our Gifts And Our Unstinting Efforts, Our Most Extravagant Hopes. We Live Our Lives, Do Whatever We Do, And Then We Sleep--it's As Simple And Ordinary As That. A Few Jump Out Of Windows Or Drown Themselves Or Take Pills; More Die By Accident; And Most Of Us, The Vast Majority, Are Slowly Devoured By Some Disease Or, If We're Very Fortunate, By Time Itself.

I Encourage The Translators Of My Books To Take As Much License As They Feel That They Need. This Is Not Quite The Heroic Gesture It Might Seem, Because I've Learned, From Working With Translators Over The Years, That The Original Novel Is, In A Way, A Translation Itself.

If She Were Religious, She Would Call It The Soul. It Is More Than The Sum Of Her Intellect And Her Emotions, More Than The Sum Of Her Experiences, Though It Runs Like Veins Of Brilliant Metal Through All Three. It Is An Inner Faculty That Recognizes The Animating Mysteries Of The World Because It Is Made Of The Same Substance