We Are All Children Searching For Love.

I'm Attracted To Images That Come From A Personal Exploration Of A Subject Matter. When They Have A Personal Stamp To Them, Then I Think It Becomes Identifiable.

I Have A Master's Degree In Photography As A Fine Art, And I Would Call My Work Primarily Conceptual. I Don't Carry Cameras With Me Wherever I Go. I Get An Idea Of A Subject Matter I Want To Deal With And I Pull Out My Cameras.

Essentially, In Photography, I Think On Two Levels: One Emotional And The Other Technical. The Emotional Impact Has To Do With Looking For Something Dramatic Happening In The Photograph, Something That Reaches Out And Touches Somebody In Some Way. And The Technical Is Having To Do With Composition And Framing - Light And Dark, Light And Shadow.

Art Functioning As Propaganda Is Not Art.

I Began Working With A Family Camera. It Was Called A Kodak Autographic, Which Was One Of Those Things Where You Flopped It Open And Pulled Out The Bellows. And I've Been At It Ever Since - I've Never Stopped