We All Have Names We Don't Know

When The Sky Is As Grey As This - Impeccably Grey, A Denial, Really Of The Very Concept Of Colour - And The Stooped Millions Lift Their Heads, It's Hard To Tell The Air From The Impurities In Our Human Eyes, As If The Sinking Climbing Paisley Curlicues Of Grit Were Part Of The Element Itself, Rain, Spores, Tears, Film, Dirt. Perhaps, At Such Moments, The Sky Is No More Then The Sum Of The Dirt That Lives In Our Human Eyes.

Much Modern Prose Is Praised For Its Terseness, Its Scrupulous Avoidance Of Curlicue, Etcetera. But I Don't Feel The Deeper Rhythm There. I Don't Think These Writers Are Being Terse Out Of Choice. I Think They Are Being Terse Because It's The Only Way They Can Write.

Sex Is Hard To Write About Because You Lose The Universal And Succumb To The Particular. We All Have Our Different Favorites. Good Sex Is Impossible To Write About. Lawrence And Updike Have Given It Their All, And The Result Is Still Uneasy And Unsure. It May Be That Good Sex Is Something Fiction Just Can't Do - Like Dreams. Most Of The Sex In My Novels Is Absolutely Disastrous. Sex Can Be Funny, But Not Very Sexy.

The Air Itself Was Ebony, Like The Denial, The Refutation, Of The Idea Of Light.

When I Hear About Some Sensational New Writer I Sort Of Think, Shut Up ... You've Got To Be Around For A Long Time Before You Can Really Say You're A Writer. You've Got To Stand The Test Of Time, Which Is The Only Real Test There Is.