... Vulgarity Has No Nation.

. . Usually, The Biggest Problems Of Adapting Plays Into Screenplays Is That They Stick Too Close To The Play, And I Think Film Is A Completely Different Medium. I Think A Novel Is Much Closer To A Film.

Pathos Truly Is The Mode For The Pessimist. But Tragedy Requires A Nicer Balance Between What Is Possible And What Is Impossible. And It Is Curious, Although Edifying, That The Plays We Revere, Century After Century, Are The Tragedies. In Them, And In Them Alone, Lies The Belief-optimistic, If You Will, In The Perfectibility Of Man.

Controlled Hysteria Is What's Required. To Exist Constantly In A State Of Controlled Hysteria. It's Agony. But Everyone Has Agony. The Difference Is That I Try To Take My Agony Home And Teach It To Sing.

It Is Time That We, Who Are Without Kings, Took Up This Bright Thread Of Our History And Followed It To The Only Place It Can Possibly Lead In Our Time-the Heart And Spirit Of The Average Man.

By Whatever Means It Is Accomplished, The Prime Business Of A Play Is To Arouse The Passions Of Its Audience So That By The Route Of Passion May Be Opened Up New Relationships Between A Man And Men, And Between Men And Man. Drama Is Akin To The Other Inventions Of Man In That It Ought To Help Us To Know More, And Not Merely To Spend Our Feelings.