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For Me, It's Always Difficult When A Historical Film Claims To Depict Or Represent A Reality That None Of Us Can Know, That Is Always Different. It's Always The Case. We Never Know What Happened Then. So My Approach With The Narrator Is To Question That, To Leave That Open, To Underline The Fact That This Is Uncertain.

My Father And I Had A Good Relationship, It Was Very Relaxed. He Had A Lot Of Humour. He Looked A Little Bit Like Me, Although He Had No Beard. He Had The Appearance Of A Very Elegant British-looking Man.

I Love Actors, Both My Parents Were Actors, And The Work With Actors Is The Most Enjoyable Part Of Making A Film. It's Important That They Feel Protected And Are Confident They Won't Be Betrayed. When You Create That Atmosphere Of Trust, It's In The Bag - The Actors Will Do Everything To Satisfy You.

I Always Seek To Mobilize, To Call On The Imagination Of The Spectator. It's Well-known That The Images That Are Created By One's Imagination Are Far Stronger Than Any That I Can Show. In Fact, It's An Error, A Widespread Error In Mainstream Cinema, To Always Want To Show Things And To Depict Things.

I Think That Religion Is An Integral Part Of Human Needs, But The Question Also Is How You Understand Religion.