Try To Make Things That Can Become

When People Censor Themselves They're Just As Likely To Get Rid Of The Good Bits As The Bad Bits.

There Is A Sort Of Convergence Starting To Happen Between The Computer And Musical Instruments, But It's Still Quite A Long Way Off.

Since I Have Always Preferred Making Plans To Executing Them, I Have Gravitated Towards Situations And Systems That, Once Set Into Operation, Could Create Music With Little Or No Intervention On My Part. That Is To Say, I Tend Towards The Roles Of Planner And Programmer, And Then Become An Audience To The Results

Another Way Of Working Is Setting Deliberate Constraints That Aren't Musical Ones - Like Saying, "well, This Piece Is Going To Be Three Minutes And Nineteen Seconds Long And It's Going To Have Changes Here, Here And Here, And There's Going To Be A Convolution Of Events Here, And There's Going To Be A Very Fast Rhythm Here With A Very Slow Moving Part Over The Top Of It." Those Are The Sort Of Visual Ideas That I Can Draw Out On Graph Paper. I've Done A Lot Of Film Music This Way.

If I Had A Stock Of Fabulous Sounds I Would Just Always Use Them. I Wouldn't Bother To Find New Ones.