That Wasn't An Ending. It Was Just

All Of My Films Deal With The Same Thing: Striving, Socially And Culturally, To Stay Alive.

I Have Never Made A Movie That's Attracted A 14-year-old Boy.

I Make No Apologies For Popeye. Behind M*a*s*h, It's My Biggest Hit. It Got Maligned By The Critics Because It Wasn't Superman. It Wasn't About Special Effects And It Wasn't Made For 14-year-old Boys. The Majority Of Films Are Made For 14-year-old Boys; I Don't Know Where They Get The Eight Bucks To Get In. It's Hush Money From The Parents.

[the Player Is] Not A Truthful Indictment Of Hollywood. It's Much Uglier Than I Portrayed It, But Nobody Would've Been Interested If I'd Shown Just How Sadistic, Cruel And Self-orientated It Is.

I Insist That They Do What They Became Actors To Do. I Want Them To Create Something And Not Just Hit Marks And Say Words. So They All Love That Because They're Playing. It's Called Playacting. Their Contributions Are Not Only Welcomed, But Are Accepted And Used.