Today's Winemakers Still Worry About Quality.

I Made This Movie For $40,000, Which Was This Little Black-and-white Horror Film Called Dementia 13, Which We Made In About Nine Days.

In America, Even The Critics - Which Is A Pity - Tend To Genre-ize Things. They Have A Hard Time When Genres Get Mixed. They Want To Categorize Things. That's Why I Love Wes Anderson's Films And The Coen Brothers, Because You Don't Know What You're Going To Get, And Very Often You Get Something That You Don't Expect And That's Just What A Genre's Not Supposed To Do.

I Wanted To Be A Film Student Again, As A Man In My 60s. To Go Someplace Alone And See What You Can Cook Up, With Non-existent Budgets. I Didn't Want To Be Surrounded By Comforts And Colleagues, Which You Have When When You're A Big Time Director. I Wanted To Write Personal Works.

Most Italians Who Came To This Country Are Very Patriotic. There Was This Exciting Possibility That If You Worked Real Hard, And You Loved Something, You Could Become Successful.

My Film Isn't About Vietnam. It Is Vietnam. It's What It Was Really Like. It Was Crazy. And The Way We Made It Was Very Much Like The Way The Americans Were In Vietnam. We Were In The Jungle, There Were Too Many Of Us, We Had Access To Too Much Money, Too Much Equipment And Little By Little We Went Insane.