To Me, Ennis Stands For The Conservative

If It Was A Choice Between Making Movies And Doing Nothing, He'd Probably Still Wish Me To Make Movies, So He Made Me Keep Going.

I Took The Name Green Destiny From - Well There Is Such A Sword Called Green Destiny. It Is Green Because You Keep Twisting It, It's An Ancient Skill, You Keep Twisting It And Knocking It And Twisting It Until It Is Very Elastic And Light.

I Think It[3d] Should Be Used As A New Artistic Form, Not As A Gimmick, Not To Impress You But The Existence Of An Environment That You View As A Theatrical Dramatic Experience Is - You Don't Just Have The X-y Axis, You Have The Z And That Makes A Difference. You Still Have The Framing, You Still Use Lenses, So Most Of The Cinematic Rules And Languages Still Apply But I Think It's A Different Existence.

Things That Don't Have A Big Impact Seem To Be Crucial. Always When You Go Out To Make A Movie You Have Questions, "what If This Doesn't Work? What If That Doesn't Work?" You Want To Cover Yourself, You Want To Bring Back Enough [footage] So You Can Do Something.

You Have To Know The Rules, Otherwise You Have No Tools To Communicate To The Audience, But To Keep It Fresh You Have To Break Some. I Don't Choose Genres As The Element, But The Material Itself Is The Element, Then I'll Decide What Genre I Need. That's Just How I Work.