To Make A Movie About Mayhem, Sometimes

All My Movies, As I Get The Ability To Do It, They Tend To Go A Little Darker, A Little Darker.

I Find I Like To Work With A Lot Of The Same Actors, Because I Find That There's Sort Of Shorthand There, And There Is This Unspoken Trust, Both Ways. They Trust Me And I Trust Them. And I Know What I'm Going To Get From Them, To An Extent. It's Just Fun, Kind Of Creating This Little Family.

You're Only As Good As Your Body Of Work, And Everybody Has Issues, Whether It's Steven Spielberg Or Martin Scorsese. I'm Not Comparing Myself To Those Guys, But You Learn More From The Misses Than The Hits.

When You Work On A Movie Or A Tv Show, You're A Family, So If Something That's A Two-minute Thing In The Movie Is Causing A Rift In The Family, You Also Have To Think About At What Point Do You Fight This, And At What Point Is This Rift Worth Having In This Very Small, Very Tight Group Of People Who Are Just There To Make Something Great And Funny.

There's A Darkness Under 'the Hangover' Because Ultimately There's A Missing Person And It's Not Really That Funny. There's A Sort Of Darkness Under It That I Love, And Still People Are Laughing As Hard If Not Harder Than They Did In 'old School.'