To Believe In A Child Is To

Live As You Like Best, And Your Character Will Take Care Of Itself. Most Things Are Good For You; The Exceptions Are Very Rare.

Make Him [the Reader] Think The Evil, Make Him Think It For Himself, And You Are Released From Weak Specifications.

No Themes Are So Human As Those That Reflect For Us, Out Of The Confusion Of Life, The Close Connection Of Bliss And Bale, Of The Things That Help With The Things That Hurt, So Dangling Before Us Forever That Bright Hard Medal, Of So Strange An Alloy, One Face Of Which Is Somebody's Right And Ease And The Other Somebody's Pain And Wrong.

Never Say You Know The Last Word About Any Human Heart.

In A Play, Certainly, The Subject Is Of More Importance Than In Any Other Work Of Art. Infelicity, Triviality, Vagueness Of Subject, May Be Outweighed In A Poem, A Novel, Or A Picture, By Charm Of Manner, By Ingenuity Of Execution; But In A Drama The Subject Is Of The Essence Of The Work-it Is The Work. If It Is Feeble, The Work Can Have No Force; If It Is Shapeless, The Work Must Be Amorphous.