Throw Up Into Your Typewriter Every Morning.

The Modern Film Tries Too Hard To Be Real. Its Techniques Of Illusion Are So Perfect That It Requires No Contribution From The Audience But A Mouthful Of Popcorn.

A Writer Who Is Afraid To Overreach Himself Is As Useless As A General Who Is Afraid To Be Wrong.

You Don't Get Rich, You Don't Often Have Much Fun. Sometimes You Get Beaten Up Or Shot At Or Tossed Into The Jail House. Once In A Long While You Get Dead. Every Other Month You Decide To Give It Up And Find Some Sensible Occupation While You Can Still Walk Without Shaking Your Head. Then The Door Buzzer Rings And You Open The Inner Door To The Waiting Room And There Stands A New Face With A New Problem, A New Load Of Grief, And A Small Piece Of Money.

The Overall Picture, As The Boys Say, Is Of A Degraded Community Whose Idealism Even Is Largely Fake. The Pretentiousness, The Bogus Enthusiasm, The Constant Drinking, The Incessant Squabbling Over Money, The All-pervasive Agent, The Strutting Of The Big Shots (and Their Usually Utter Incompetence To Achieve Anything They Start Out To Do), The Constant Fear Of Losing All This Fairy Gold And Being The Nothing They Have Never Ceased To Be, The Snide Tricks, The Whole Damn Mess Is Out Of This World.

All Reading For Pleasure Is Entertainment.