There's Very Little Admirable About Being A

I Have A Mantra That Kind Of Explains My Feelings On This Subject, Which Is, "the Past Is The Present Is The Future." When You're Recording Something, You're Making Something That Will Exist In The Future.

It's Definitely Important To Be Open Enough To Seize An Opportunity When The Opportunity Is There.

The Less People Present In An Urgent Situation That A Moderately High Stakes Recording Session Can Create - The Less People There Are In The Room - The More Openness There Can Be. These Songs Share That As Well, In Addition To Just The Obvious, Basic Starkness.

There's Nothing That Compares To Watching That Final Of Charles Mee’s 'the Glory Of The World' Play At Bam17 To 20 Minute Sequence In One Sitting. It Fills You With A Giddy Energy Watching That. Then, Being Gifted With The Silence That Follows...i've Never Had A Theatrical Experience Like That Before, I'm Sure.

I Do Not Want A Personal Relationship With My Fans. Or To Do Anything That Encourages Them To Think They Have One With Me. They Can Have A Personal Relationship With My Songs. That's Fine, But They Don't Know Me.