There's Lots Of Things That Can Be

I Don't Want To Make Pompous, Serious Films.

I Don't Want People To Sit There And Objectively Watch The Film. I Want Them To Experience It As Something That's Under Their Skin, So You Try To Make The Films Really Tactile.

Normally, I'm A Very Controlling Director. Directors Are Controlling. It's Part Of The Job, But There's Various Degrees Of It And The Constructs I Normally Work On Are Very Controlling Constructs.

Your First Film Is Always Your Best Film, In A Way. There's Something About Your First Film That You Never Ever Get Back To, But You Should Always Try. It's That Slight Sense Of Not Knowing What You're Doing, Because The Technical Skills You Learn - Especially If You Have A Film That Works, That Has Some Kind Of Success - Are Beguiling. The Temptation Is To Use Them Again, And They're Not Necessarily Good Storytelling Techniques.

Clearly, You Can Think Back And See That A Character Has Had Enormous Odds Stacked Against Him And Has To Overcome Them. It's Usually A Guy, I'm Afraid. But Then You're Setting Up A New Movie You Have Amnesia About These Meetings, When You've Discussed It More Analytically.