There Was A Time When Mapmakers Named

When Someone Speaks He Looks At A Mouth, Not Eyes And Their Colors, Which, It Seems To Him, Will Always Alter Depending On The Light Of A Room, The Minute Of The Day. Mouths Reveal Insecurity Or Smugness Or Any Other Point On The Spectrum Of Character. For Him They Are The Most Intricate Aspect Of Faces. He's Never Sure What An Eye Reveals. But He Can Read How Mouths Darken Into Callousness, Suggest Tenderness. One Can Often Misjudge An Eye From Its Reaction To A Simple Beam Of Sunlight.

She Lights A Match In The Dark Hall And Moves It Onto The Wick Of The Candle. Light Lifts Itself Onto Her Shoulders. She Is On Her Knees. She Puts Her Hands On Her Thighs And Breathes In The Smell Of The Sulphur. She Imagines She Slap Breathes In Light.

There Is The Hidden Presence Of Others In Us, Even Those We Have Known Briefly. We Contain Them For The Rest Of Our Lives, At Every Border That We Cross.

Meanwhile With The Help Of An Anecdote I Fell In Love. Words Caravaggio. They Have A Power.

Every Immigrant Family, It Seems, Has Someone Who Does Not Belong In The New Country They Have Come To. It Feels Like Permanent Exile To That One Brother Or Wife Who Cannot Stand A Silent Fate In Boston Or London Or Melbourne. I’ve Met Many Who Remain Haunted By The Persistent Ghost Of An Earlier Place.