There Is Such A Suspicion In Today's

I Think We Still Do Have A Pr Problem In The Sense That These Institutions Portray Themselves Quite Often As A Museum Without The Contemporary Wing. For A Young Cutting-edge Person, Why Would You Get Into That Sort Of Business, Which Is Very Clearly Geared Towards Dead Or Almost Dead People?

I Can't Imagine How Many First Performances I've Done, Perhaps 500. Some Of Them Have Been Very Good, And Some Of Course Very Bad.

The Biggest Difference Between U.s And Most European Big Cities Is That In A Place Like London, For Instance, There Are Five Orchestras, And There's A Bloody Competition Between These Five Orchestras.

Our Audience, It Has Been A More Difficult Process For Classical Music Audiences Around The World, And I'm Not Completely Certain Why.

Every Day We Make More Progress Toward Understanding The Concert Hall.