There Is No Love That Is Not

Love Is The Ability To Discover Similarities In The Dis-similar. The Audience Has A Right Not To Be Fooled - Even If It Insists On Being Fooled.

So The Experience Of Death Is Turned Into That Of The Exchange Of Functionaries, And Anything In The Natural Relationship To Death That Is Not Wholly Absorbed Into The Social One Is Turned Over To Hygiene. In Being Seen As No More Than The Exit Of A Living Creature From The Social Combine, Death Has Been Domesticated: Dying Merely Confirms The Absolute Irrelevance Of The Natural Organism In Face Of The Social Absolute.

That All Men Are Alike Is Exactly What Society Would Like To Hear. It Considers Actual Or Imagined Differences As Stigmas Indicating That Not Enough Has Yet Been Done; That Something Has Still Been Left Outside Its Machinery, Not Quite Determined By Its Totality.

Death Is Imposed Only On Creatures, Not Their Creations, And Has Therefore Always Appeared In Art In A Broken Form: As Allegory.

The Gods Look In Pleasure On Penitent Sinners.