There Are Still An Awful Lot Of

To Approach A City, Or Even A City Neighborhood, As If It Were A Larger Architectural Problem, Capable Of Being Given Order By Converting It Into A Disciplined Work Of Art, Is To Make The Mistake Of Attempting To Substitute Art For Life. The Results Of Such Profound Confusion Between Art And Life Are Neither Life Nor Art. They Are Taxidermy.

I Think That May Be The Biggest Difference Between Americans And People Elsewhere. Unlike Americans, Canadians Know That There Are Places Just As Real As Canada. It's A Self-centeredness That's A Very Strange Thing.

By Its Nature, The Metropolis Provides What Otherwise Could Be Given Only By Traveling; Namely, The Strange.

Modernism Really Started With People Getting Infatuated With The Idea Of "it's The Twentieth Century, Is This Suitable For The Twentieth Century." This Happened Before The First World War And It Wasn't Just The Soldiers. You Can See It Happening If You Read The Bloomsbury Biographies. It Was A Reaction To A Great Extent Against Victorianism. There Was So Much That Was Repressive And Stuffy. Victorian Buildings Were Associated With It, And They Were Regarded As Very Ugly. Even When They Weren't Ugly, People Made Them Ugly. They Were Painted Hideously.

Americans Don't Really Think That Other Places Are As Real As America.