There Are Millions Of Ways To Not

If You Have The Temerity To Try To Dramatize A Theme That Involves Any Particular Social Controversy Currently Extant. . . Then You're In Deep Trouble.

People Are Put Down In Television Now, Not Because They're Not Qualitative, Not Because They're Not Talented - But Because There's No Room For Them, And Worse Than That, There's Nowhere They Can Find Exposure. Their Own Good Talent May Die Of Mourning, Just For Want Of Having Somebody Read What They've Written. I Don't Presume To Say How We Can Best Provide Platforms For New Writers To Get Read. I Don't Know. But Therein Lies The Major Problem.

You Must Always Assume That The Relationship Between Writer And Producer Is That Of Adversaries - However You Slice It. They May Be Your Dearest Friends, And They'll Invite You To Dinner, But When All The Smoke Clears And The Ozone Lifts, Your Enemy Is The Producer, That's The Guy You're Competing With, And You Have To Battle Him, Just As If You Were An Adversary.

I Guess Requiem For A Heavyweight As Old As It Is Was As Honest A Piece As I've Ever Done.

Not Since The British Raided Cologne Had So Many Bombs Landed In Such A Small Space In Such A Short Time.