Then Little Writings And Recordings That Thankfully

Every Recording Session And Tour Is A Very Valuable Time To Me In Terms Of Getting To Spend Time With The Musicians - Whether They're Friends And Family Or People I've Just Met - Because I Don't Have A Job Where I Get To Interact With People Everyday.

Venues Are All The Same, All Feel The Same, These Generic Blank Spaces. I Like Artists Like Lightning Bolt-bands That Go In And Kind Of Change Things Every Time, Play On The Floor, Set Up In The Middle Of The Room. They Go In And They Reinvent The Space Every Time, Which I Feel Is Like The Kind Of Thing That Should Just Be Happening.

Making Money Is Awesome And Fun As Hell, But They're Saying, "well, You're Offered A Whole Lot Of Money To Do This," And It's Like, Well, I Do Want The Money, But I Don't Really Do That - Like Headline A Big Festival Or Something Like That. I Could Go There And Do That, But It Isn't Really What I Do. It Feels Weird To Me.

If We Were Making A Record In Kentucky, There Might Be Some More Elements That Recall A Time, A Place, Or A Relationship. Recording For The Bbc You Enter Into This Strange And Wonderful, But Kind Of Sterile, Place With Which You Have No Personal History, And That's The Maida Vale Studios At Bbc In London.

I Still Make Music. I Still Write Music And I Record Music, I Just Don't Trust Music Promotion [and] Distribution Right Now Enough To Record A New Set Of Diligently Worked-upon Compositions. I Do Trust The Audience And The Audiences Very Much.