The Ventoux Is A God Of Evil,

Painting Can Feign Reality Without Having Seen It.

Literature Is Without Proofs. By Which It Must Be Understood That It Cannot Prove, Not Only What It Says, But Even That It Is Worth The Trouble Of Saying It.

It Must Always Be Considered As Though Spoken By A Character In A Novel

The Photograph Is Violent: Not Because It Shows Violent Tings, But Because On Each Occasion (i)it Fills The Sight By Force(i), And Because In It Nothing Can Be Refused Or Transformed (that We Can Sometimes Call It Mild Does Not Contradict Its Violence: Many Say That Sugar Is Mild, But To Me Sugar Is Violent, And I Call It So).

The Text Is Plural. Which Is Not Simply To Say That It Has Several Meanings, But That It Accomplishes The Very Plural Of Meaning: An Irreducible (and Not Merely An Acceptable) Plural. The Text Is Not A Co-existence Of Meanings But A Passage, An Overcrossing; Thus It Answers Not To An Interpretation, Even A Liberal One, But To An Explosion, A Dissemination.